Erin Busch - Founder and Artistic Director
Composition and Theory

MGP-21.jpg

Erin Busch is a composer and cellist currently pursuing a Ph.D in Music Composition at the University of Pennsylvania, where she studies with Anna Weesner and James Primosch. She is the Founder and Artistic Director of the Young Women Composers Camp (YWCC), a two-week summer composition camp for girls ages 14–19 at Temple University. Erin was previously an adjunct professor of music theory and composition at Temple University from 2015–2018, where she also received her bachelors and masters degrees in Music Composition and Cello Performance.

Erin has studied composition with Maurice Wright, Jan Krzywicki, Cynthia Folio, Adam Vidiksis, and Richard Brodhead, and has studied cello with Jeffrey Solow and Yumi Kendall. Erin has had her works performed across the United States, Europe, and South America, and her commissioned work Grow for choir and orchestra was recently premiered at the Kimmel Center in Philadelphia.

Erin has participated in several summer festivals, including the European American Music Alliance (EAMA) in Paris, France; the Pierre Monteux School in Hancock, Maine; the American Institute of Musical Studies (AIMS) in Graz, Austria; the Orchestra of the Americas Nordic-Baltic tour; and the Festival Napa Valley. She performs with orchestras such as the Allentown Symphony, Symphony in C, and the Philly Pops. Erin recently graduated from the YOA Global Leaders Program, a nine-month certificate program in Civic Leadership, Teaching Artistry, Cultural Agency, and Social Entrepreneurship that included on-site music program development and teaching in southern Chile and Belize City.

For more information on upcoming events, please visit www.erinbusch.com.

 

Julia Alford - Administrative Director

Alford_Headshot.png

Julia Alford is a composer, educator, and accordionist.  Her music combines strains of texture, serialism and klezmer music with a firm commitment to melodic importance. It stems from spurts of improvisation that is often mixed with a series of numbers (each representing a given pitch, sometimes using 12, sometimes less, never more) that are rearranged over and over again.

She received her education at many fine institutions, the most recent being Temple University in Philadelphia, where she completed her Doctor of Musical Arts degree under the mentorship of Matthew Greenbaum in the spring of 2013.  Her music has been performed in many exotic locales including Philadelphia, New York, Kansas City, Kalamazoo, Boca Raton, Aspen, and Piadena, Italy.

Dr. Alford teaches composition and theory and is the administrative assistant for the Department of Music Studies at Temple University, where she wrangles faculty, schedules, and students alike.  In her spare time she plays accordion and assists in tune writing in the American Gothic-esque, Northern Arms.

 

Cynthia Folio – Faculty Director
Composition and Theory

IMG_0028.JPG

Cynthia Folio is Professor and Chair of Music Studies at Temple University, where she was honored with the Lindback Award for Distinguished Teaching in 1994 and the Creative Achievement Award in 2012. She received her Ph.D. in music theory and Performers Certificate in flute from the Eastman School of Music. Cynthia’s compositions have been described by reviewers as confident and musical in expressing ideas of great substance,” “intriguing and enjoyable, and “imaginatively scored.” She has received commissions from such organizations as Network for New Music, the Relâche Ensemble, the Mendelssohn Club of Philadelphia, and the National Flute Association. She has had residencies at The American Academy in Rome, Yaddo, and the Virginia Center for the Creative Arts.  In the summer of 2011, the National Flute Association featured an entire concert of her music on its annual convention, and in 2015 it featured her new double flute concerto, Winds for Change, performed by the flute duo ZAWA! and the Serafin String Quartet. Cynthia’s pieces are recorded on many CD’s, including a 2014 release, Inverno Azul, featuring nine of her compositions, on the BCM+D label; a 2007 release by the Relâche Ensemble, Press Play, by Meyer Music; and a 2006 release of Flute Loops: Chamber Music for Flute by Centaur Records, featuring eight of her compositions. She also recorded a jazz CD, Portfolio (Centaur Records), which includes four original compositions.

 

Sabrina Clarke
Composition and Theory

sabrina clarke.jpg

Dr. Sabrina Clarke is an Adjunct Assistant Professor of Music Theory at the University of Delaware (Newark) and Adjunct Professor of Music at Rowan University in Glassboro, New Jersey. She completed her Ph.D. in Music Studies at Temple University's Esther Boyer College of Music. Her research mainly involves twentieth-century music and includes issues of temporality and narrative in the twelve-tone work of Luigi Dallapiccola and the relationship of female agency and nature imagery in the piano works of Amy Beach. She recently delivered a paper at the Music by Women Conference at the Australian National University in Canberra, Australia. Clarke is passionate about showcasing the work of composers marginalized and underrepresented due to their gender, race or identity and is dedicated to presenting their work in both classroom and performance. An active composer, her work has been performed internationally and frequently explores the intersection of personal narrative and identity. For more information, please visit www.sabrinaclarkemusic.com.

 

Adam Vidiksis
SPLICE Academy Director

_Vidiksis.Headshot.2017.jpg

Adam Vidiksis is a composer, conductor, percussionist, improviser, and technologist based in Philadelphia whose music often explores sound, science, and the intersection of humankind with the machines we build. Critics have called his music “mesmerizing”, “dramatic”, “striking” (Philadelphia Weekly), “notable”, “catchy” (WQHS), “magical” (Local Arts Live), and “special” (Percussive Notes), and have noted that Vidiksis provides “an electronically produced frame giving each sound such a deep-colored radiance you could miss the piece's shape for being caught up in each moment” (David Patrick Stearns, Philadelphia Inquirer). His work is frequently commissioned and performed throughout North America, Europe, and China in recitals, festivals, and major academic conferences. Vidiksis’s music has won numerous awards, including recognition from the Society of Composers, Incorporated, the American Composers Forum, and The American Society of Composers, Authors and Publishers. His works are available through HoneyRock Publishing, EMPiRE and SEAMUS Records, and PARMA Licensing. Vidiksis currently serves as composer in residence for the Chamber Orchestra of Philadelphia for the entirely of its 2017-2018 season, and was recently in that position at the Institute for Computer Music and Sound Technology in Zürich. Vidiksis holds degrees from Drew, NYU, and Temple University, culminating in a doctorate in music composition. Vidiksis serves as an Assistant Professor of music technology and composition at Temple University, and as a performance and composition faculty at the SPLICE Institute. He is conductor of the Temple Composers Orchestra and Ensemble N_JP, and director of the Boyer Electroacoustic Ensemble Project (BEEP). [www.vidiksis.com]

 

Marianne Gruzwalski
Choir Director

291714E7-07F2-41B4-98C9-835E5E7B608C.JPG

Marianne Gruzwalski currently serves as a middle school chorus teacher in Springfield Pennsylvania and was recently appointed as a conductor of the Pennsylvania Girl Choir. She studied music education at University of Michigan and completed her masters in choral conducting at Temple University. Marianne has worked with singers of all ages and has been selected to participate in conducting master classes with Helmuth Rilling, Craig Hella Johnson, Simon Carrington, and Robert Spano of the Atlanta Symphony Orchestra.